I quite like “Gimme Some Truth”-which is on John Lennon's Imagine album-where he comes in and you hear him to Paul, 'What should we work on?' You hear their songwriting collaboration. And then you also want to be in a situation where you tell a story in some way. “What I like to do when we put these things together,” Martin says, “is you want to put things on that people would listen to more than once. They all invite the listener to be a fly-on-the-wall as the band developed and talked about the material. In addition to the new stereo mix of the original album, the goldmine for fans on particularly the six-disc Super Deluxe version consists of 27 unreleased tracks, including jams and rehearsals, from the Get Back sessions: among them alternate takes of “Let It Be,” “The Long and Winding Road,” “Get Back,” “For You Blue,” Dig a Pony” and “I've Got a Feeling”-as well as frameworks of songs (”She Came in Through the Bathroom Window,” “Oh! Darling” that would later appear on Abbey Road. So with Phil Spector's stuff, we kind of made it sound more Abbey Road than it was before, if that makes sense.” “With Let It Be, the job was to try and celebrate the record-and it's actually a really good album-but also to try and create some unity on the record. “Every album is different,” he explains of the approach on the new mix for Let It Be. Martin had previously worked on the special editions of the Beatles' Sgt Pepper's Lonely Hearts Club Band, The Beatles (a.k.a. And what I was trying to do was to try and make it more unified in a way.” It's kind of a hodgepodge of stuff in a way. “I Me Mine” was the last thing the Beatles recorded after Abbey Road. It's made up of “Across the Universe,” which was recorded way before. The album is also made up of the rooftop stuff. They weren’t even sure if they were rehearsing or recording. “It's not even an album in a way by the time they finished it. I learned mainly that it kind of wasn't a breakup album. “In its essence, Let It Be was the Beatles trying to get back to their youth,” said Martin, the son of the late and legendary Beatles producer George Martin, “trying to get back to the days of them playing the Cavern Club, being a rock and roll band, and getting away from being a studio band.